Shows At The Eastwood

NoBudge is happy to present a program of new short films from a group of emerging indie filmmakers based in Los Angeles. All filmmakers will be in attendance for a post-screening Q&A moderated by NoBudge founder, Kentucker Audley.

NoBudge is happy to present a program of new short films from a group of emerging indie filmmakers based in Los Angeles. All filmmakers will be in attendance for a post-screening Q&A moderated by NoBudge founder, Kentucker Audley.

A live comedy show that is being recorded and screened on a movie theater screen in real time. Using an iPhone and a projector, the Female Documentarian (Jessy Morner-Ritt) tries to make and edit a revolutionary documentary about the most interesting subject. Doors 8pm, Show 8:30pm

“A sensitive film offering an honest portrayal of deep friendship.” - TV Guide

35th Anniversary! John Woo took a detour into lighter territory with this rollicking, typically stylish comic caper, which casts superstars Chow Yun-fat, Leslie Cheung, and Cherie Chung as a trio of orphans raised by a crime lord to be professional art thieves.

A dark, coming-of-age satire about Balthy, a wealthy, chronically online New York City teen. Hoping to impress his activist crush, Balthy fakes social media videos advocating against gun violence.

This is a double feature. One ticket admits you to both films. August 1st: OBSESSION @7pm (w/ secret pre-show) 15min Intermission POSSESSION @ 9:15pm August 2nd: OBSESSION @4pm (w/ secret pre-show) 15min Intermission POSSESSION @ 6:15pm

New York City, 1960. A small creative team is tasked with creating a luxury product on a tight deadline. Throughout the course of the afternoon, the three men descend into total delirium as a mysterious gas infects the office.

In a role equally as fragile and mercurial as A WOMAN UNDER THE INFLUENCE’s “Mabel”, Gena Rowlands is OPENING NIGHT’s “Myrtle”: a successful actress going kind of crazy in a play about aging crazily.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag ball scene.